Joseph and the Amazing Technicolor Dreamcoat – KYDS, Tiptree

Joseph and the Amazing Technicolor Dreamcoat – KYDS, Tiptree

Joseph Coat

Joseph was Andrew Lloyd Weber’s first musical and along with Tim Rice as the lyricist this musical was first performed way before any of these youngsters were even a twinkle in their parents’ eye. So, for them, it was a fresh piece of theatre to take on and perform.
This young cast approached the show with great enthusiasm which shone through with many young cast members giving strong and steady performances.
The show rests on squarely on the shoulders of the part of Joseph which was ably taken on by Ben Collins. Ben was confident throughout the show with a nice singing voice and good stage presence.  He was also supported well by the girls sharing the part of the narrator. All of them presented the show well and took us on Josephs story with aplomb, however, it was Charlotte Kane who particularly stood out to me with her ease of performance.
Other notable performances were from Charlie Warner as Pharaoh  – who literally brought down the house with his Elvis interpretation as Pharaoh and I also particularly liked Millie Sheldrick as brother Judah who not only worked hard throughout the whole show but sang and performed Benjamin’s Calypso very well.
The set was lovely on two levels with silhouetted palm trees in Act 1 and pyramids with a fantastic pharaoh head on the back wall in Act 2.  This allowed for some great opportunities to stage some pictures with the cast.  This set along with some great costumes gave a real wow factor to the show.
As a musical Joseph can be a tough, as there is very little dialogue and it is nearly all sung through, consequently there were a few shaky vocal moments from some of the soloists but with such a young cast this is to be expected and I commend all of them for their bravery in standing up there and giving us their very best.  One area that felt a little weak were some of the dance numbers which looked a little under-rehearsed and a bit challenging for some of the cast. While some of them could obviously manage the routines perhaps others should have been given something a little simpler enabling them to deliver it well and give a polished performance. One number where this was not an issue however, was the Song of the King which was excellently delivered on all levels.
It seemed to me that this company thoroughly enjoyed performing this show and there were huge levels of joy and excitement rolling off the stage in waves.  It was a pleasure to watch them and I am sure many of them, as a result of performing with this group, will go on to gain greater confidence both on and off stage which is great credit to Director Alex Berriman and her team. I look forward to seeing another KYDS production in the future.
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